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Least Favorite Spuffy moment-Dag Hammersjold
But yeah, the bathroom scene.

Season Six is the hardest for me to watch. It felt like the writers were turning Spike into what they needed for the Buffy character to hate herself and get dragged down instead of keeping him in character. He was shown as selfish and callous and dark, totally disconnected from acting human, despite how wonderful he was early in Season Six before they slept together or even the immature version struggling with his feelings in Season Five and crying and watching Passions. In "Dead Things" and "Seeing Red" it was raw and intense and awful and showed anguish and feeling and worry and concern, and in the bathroom scene we've had the build-up to understand his feelings, so I can understand it and think about what Spike's going through. When he's just so callously selfish and careless of what Buffy's feeling that I really hate it. It's unfair to his character and cheapens what he feels, and so few scenes were shown where he was hurt or vulnerable, so he didn't have that motivation to lash out as if in defense. It was like he was the monster Buffy accused him of being, without real feeling. It was those scenes that I really hated. I still don't find that relationship believable after Spike kicks Buffy out when she's invisible, saying "If I can't have all of you..."
Spike loved Buffy and the writers seemed to forget that or twisted it for the Spuffy scenes that I hated.

#1 hated Spuffy moment: when Buffy calls Spike 'weepy and wailed on' because of the soul he got for her, so he couldn't hurt her any more, that has nearly killed him and been torturing him. She tells him he's not good enough, again, and that she wants some muscle she can use and it doesn't matter if he's a monster because she doesn't care about him anyway! I just wanted to smack her!
Not sure that "least favorite Spuffy" applies to mine, but I take it to mean acts that worked the most against Buffy & Spike in a positive and love filled relationship.
The episode that I have such strong emotional reactions to happen in "As You Were." That entire episode is like a summary of all the horrors and tragic consequences from Buffy’s history and Spike desperate love.
Riley is the huge contrast, in her mind, to everything that she loathes about Spike and her secret little dirty affaire. Riley and Sam, for me, represent all her delusions about Life and Love and the real nature of human love outside of parental or familial love.
Spike is the potential for a realistic love in her Slayer existence but all is lost and corrupted through the filters of her anger and hatred and Spike’s inability to stay strong when he tries to move away from her i.e., Buffy being invisible. The scene when Riley enters the crypt and Buffy easily believes everything that Riley states and Spike’s terrible emotional response; his "you know what I am …and you still come etc." (Sorry for the needed paraphrase) is my worst Spuffy moment. I don’t think there is another episode, outside the church Cross Scene, that shows us Spike stripped totally down and suffering, just like any human being would, from his connection to Buffy. Love, Betrayal, Desperation, Suffering, Honesty, Violence, Intense Emotions, Bitter Disappointment, and ultimately The Loss of Dreams and Hope – this is the face of Spuffy at its most intense and desperate.
James Marsters was at top form in this haunting scene, he makes you hate him as Macho Spike Vamp and then makes your heart cry along with Spike – and the ending with "it’s real for you" as she leaves him and all the potential of a great love. This man really knows how to use his body as part of his verbal language. His powerful performance in that scene made me physically ill and even now, I still have such strong memories of that Buffy night.
From "Dead Things" all things find their ultimate tragic ending at the bathroom.
Perhaps we could make a selection from the mentioned episode in this topic to watch as a group and discuss. Or we could maybe start with a lighter episode - I watched The Yoko Factor last week and just fell in love all over again with that script - Spike at his self-centered best, I really like the script, and acting, and humor - all the characters are great.
Michael Tomasello is co-director of the Max Planck Institute for Evolutionary Anthropology.
Or, her allowing Riley to punch him, and then for her to follow suit in "As You Were." To trust Riley, after the last time they saw her, all the man did was *lie* up and down in their relationship and his whereabouts, and Spike was more forthcoming about his intent, even if she didn't want to hear it, or even if it made him seem callous. That was the most retarded thing ever--to believe and side with Riley. What a crock.
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I'm new to the forum and love how the debates and conversations go on, but I don't know if people can coordinate to watch an episode or scene to discuss it together. It's worth a shot, though. Personally, I love owning the DVDs of the episodes because I can go back and watch a scene whenever I need to and I get the commentary from the directors or writers about every scene. In fanfic sometimes authors rewrite sections of an episode and how they view the character's motives and thoughts and feelings, which can't be stated clearly on a TV show, is sometimes more insightful, completely random, or surprising to me and I'd love to hear everyone's ideas. I think it would be an especially good idea on a Spuffy shipper site because the few times I've heard people discussing certain lines or expressions in scenes it was objective and calculated and not nearly as much fun or focused.
The scene that`s the hardest for me to watch is the balcony scene, i don`t remember wich episode but god!... I hate the things he says to her, and my greatest fantasy at that moment was to punch his nose and other bodyparts. I don`t think Buffy was the reason spike treated her like that at all. When you look at the early episodes their nice to eachother, and the reason they started fighting was becaus buffy kissed him, and i really truly belive that if Spike had been a little more careful to Buffy after that and don`t try to pressure her like he did, we would have had "Happy season six"... And to those of you that complain about Buffy being emotion-less after the first night they spent together think about this: how would you have felt if someone told you that you were a demon and all wrong.. And even after that they do kiss and Buffy intend to stay before he says something like "Nothing like doing a Slayer".... Moron!!... Nope, i never never never never never never never watch season six, if it`s not for "Once moore with feeling", way too sad. I`m a season seven kinda girl!!!...
It was brought up on another thread that we should pick an episode and do something like this. If you wanna do it, somebody start the thread and pick an episode.
It's no secret I have a hate/hate relationship with s6 so I tend to lean toward enjoying fiction that focuses on a Spike/Buffy relationship that was able to bloom AU to the two final seasons.
That's a great question. I'm still reviewing in my head and all sorts of moments are popping up in my head. I think an episode discussion would be a great thread.

~ Q
I didn't like the bathroom scene because I cannot watch it and I wish the writers did not feel Spike needed to be taken to that place to get his soul. (I also supremely dislike the idea of a soul, so that may be a partial reason)
D
--Reb
~Nika
And after the dozens of private and public hells comes that condescendingly callous line, "Does it have to mean anything?" Of course it meant everything to him - he just told her it did. And then of course, the next time he sees her, she's macking on Angel. No wonder he doesn't believe her when she says it.
For me, that's the worst part, because he holds out hope until that moment that he might be the one she loved. Seeing it just kind of die in his eyes is the most painful thing, because it's that hope that has kept him going until then.
Power of the Book
Michael Tomasello is co-director of the Max Planck Institute for Evolutionary Anthropology.
Agree, that was such a great scene - the only time you actually seem them smiling and looking like a real couple in love - then we have the huge reality check of "do you even like me?" and these small moments of positive feelings from Buffy end up at that horrific brutality in the alley. I know that "Dead Things" is not an episode that many might want to see, but it really is so powerful and vital to their relationship. One good thing about having the DVD is that one can always fast forward -
Michael Tomasello is co-director of the Max Planck Institute for Evolutionary Anthropology.

Hated it.
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-Dag Hammersjold
I think her actions spoke quite loud, and utterly clear for her. We can't use fan fiction to contradict what was shown. If we take that route, ignoring what she said or how she acted, then one could surmise she was in love with Spike since she saw him in that alley in season two, or when she revoked his invitation, etc., and that really wasn't the case.
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As much as I love Spuffy I always try to remember that Buffy really loathes Spike and is disgusted with herself and her desire for him. For sure, she can forget at times all this turmoil, anger and hatred, but they surface oh so quickly when she is confronted with having to acknowledge any part of their relationship -
Michael Tomasello is co-director of the Max Planck Institute for Evolutionary Anthropology.
The beginning of Normal Again when Buffy is talking with Spike in the cemetery about Xander's non wedding. When Xander and Willow arrive Buffy is not even willing to accord Spike the status of friend that he has clearly earned but instead starts to make the excuse that she's checking Spike for contraband! What a slap in his face! Her good friends might object to Spike as a love partner but she should have at least insisted he be accorded status of friend. He'd even been invited to the bloody wedding and before her death she had insisted they treat him as a comrade!
The other spreads over S6 and is every time she used the words "Evil, disgusting, thing with no good in" him. Those words hurt so much more than the beating in the alley and they helped make the mess he became when he got the soul (as he then agreed with that assessment) and later was a reason he didn't call her when he returned. She destroyed his sense of self, of achievement over the demon each time she said those words.
Kathleen
Edited with:
Buffy's behavior when Riley returned and her choice of saying William to Spike inthe break up. The whole attitude of "what can I expect. You're a vampire" and then apologizing JUST to the bit of humanity she couldn't deny was so cruel (needlessly so). I despise that entire episode on every level really.
Didn't care for her running off after Xander in Entropy after Xander had tried to stake Spike and the truth came out either. Xander shouldn't have been her priority and her choices helped lead to the SR fiasco.
Also Power of the Book is right about the "Does it have to mean anything" after Spike has told her to stake him if she was going to make light of how much it DID mean to him. I think THAT is when Spike gave up his hope finally and for all. I think that is why he said the "no you don't...." and why he was afraid to contact her when he returned. That one moment when she blew it once and for all and blew his self confidence/belief in his perceptions once and for all. She would need to work to regain his trust after that.
I also didn't like Spike being written as such a dickhead with his comments in Dead Things especially (that balcony scene)....he was too emotionally intuitive nd loved her too much to sink to that IMHO.
But it just seemed like the writers were tring to make him as someone completely different then we'd ever seen before. We'd seen Spike in love with Drusilla, and what he did for his love for Buffy is season five, and the balcony scene in Dead Things was very unlike a Spike in love. In the episode you can go from feeling sorry for him in the beginning, than the balcony scene where he wasn't at his best moments, and then the alley scene where he was just trying to protect her and having him get beat down for his efforts.
And I hate Seeing Red because they took him to a level he would have never done. They devised the whole 'rape' as a means to get his soul, but I hate that they took it to that. I could never imagine him trying to rape Drusilla, and he was more in love with Buffy than he ever was with Dru, which is why I tend to avoid Seeing Red because it is so OOC for him to me.
When Spike began his advances in Seeing Red he wasn't consciously trying to rape her, all their time 'together' was violent and rushed from what we were shown, so he saw it as a way of reminding her what 'they had'. I do not condone his actions by any means, attempted rape is attempted rape, but he stopped once he realized what he was doing, and their whole relationship was leading to an outburst like that. Aaaaand, I'm off topic, so *shuts up and waves bye-bye*.
I can see why this scene makes people not too happy with Spike, but I also think it's being interpreted wrong. Spike knew that Buffy wanted, needed him to be the bad guy, so in that moment, she gets to view him as such, and Spike gets her to allow herself to be let off the hook. Later in the episode, he tells her in that alley "Lay it all on me." I believe that balcony scene was just another variation of that. Spike didn't drag her up there to the balcony, away from her friends, she willingly walked up there, to be alone in the dark. And who's there to seek her out, make sure she isn't alone? He is. And I'm sure Buffy feels guilty for not being able to be with her friends, so he tries to take her pain away the best way he knows how.
xxx
But that's not good or healthy, and not what Spike should have done in the situation, and letting her view him as the bad guy is doing her a disservice. Of course, there are a lot of things Spike shouldn't have done in season six, and it makes me wonder if he'd been different, if he'd put his foot down and stood up to Buffy when she treated him like crap, if it might've done her good.
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Okay, I'm being really dumb, but when you guys mentioned the reaching out for Dawn thing, which episode is that from? I can't believe I don't remember, but it's just not coming to me
Well Said - this scene has always been (from my pov) more about Buffy than Spike - it reads very much like her dreamscape and how she connects Spike as a symbol of her destructive self-image. The dreamscape, balcony scene and alley scene all connect and contrast, in splendid visuals; Buffy's anger and self-hatred and Spike's love.
Michael Tomasello is co-director of the Max Planck Institute for Evolutionary Anthropology.
The balcony scene in Dead Things doesn't paint Spike well, but it doesn't stray too far from his character/arc for the season. It's nowhere on my list of dreaded Spuffy scenes. Now, the alley scene is definitely featured. I cannot help but wince just remembering how she says she will never be his girl (Bangel call, I take it) and how there's nothing good in him blah blah. One of my biggest disappointments with Buffy is she never got her redemptive arc. All the other characters who did something wrong - Xander, Anya. Willow, Spike - did, but not Buffy. Her actions towards Spike in Season 6 were never addressed.
I also dislike the bits from the last 2 episodes in which Bangel kiss (although when I was a Bangel fan I remember tuning in for the finale and recording just that scene
) and when she comments in "Does it have to mean something." Poor Spike. The alley scene in Fool for Love is painful too, but I can bear to watch it partly because I love watching JM deliver the scene and partly because I love what happens next on the porch.
Crush might have made the list were it not for a simply adorabale performance by JM.
I also hate how dismissive Buffy is of Spike in As You Were (the crypt blow-up scene and the break-up) and wanted her to hurt real bad in the first Spuffy scene in Entropy.
- Zaphod Beeblebrox
I didn`t actually have to big of a problem with Buffy telling Spike he is beneath he, it didn`t really bother me.. It kinda had to be there for us to get that nice Spuffy moment afterwards.
And i forgot the biggest shit of them all: "As you were". I WILL NEVER EVER WATCH THAT EPISODE AGAIN!!. Maybe if i ever become an emotional cutter, but till then; NO.
I agree, Buffy's dismissing Spike so cavalierly in front of Riley was awful. And I totally agree with chlarkspuffy that Buffy needed a redemptive arc. I guess they figured that saving the world again made up for her behavior in season vi, but it would have been nice to see it addressed at some point. They wouldn't have had to belabor the point - just an admission from Buffy that she didn't treat Spike well, could have paid more attention to or been more honest with Dawn and the Scoobies - something.
I am upper management.
Yeah, me either... it actually fits pretty well with Spike's previous insistence that Buffy has feelings for him, his refusal to take no for an answer, and their violent sexual relationship in general.
I guess they figured that saving the world again made up for her behavior in season vi
I don't think so... Buffy doesn't save the world in season 6 (unless you mean saving the world in season 7 makes up for it... but we're supposed to be on Buffy's side for all of season 7, so I don't think they expected us to wait until the end of the season to forgive her). I think Buffy's epiphany in "Grave" was supposed to be her "redemption" of sorts - her realization that she's been approaching life all wrong since her resurrection. She really only deals specifically with Dawn ("I want to show you the world" ), but I think we're supposed to get the sense that this is a changed Buffy, that this one is whole and healed and not the damaged, depressed person she's been all season. I can see why that's not satisfying to most people, though.
I am upper management.
We were supposed to see the conversation with Dawn as some sort of epiphany. Didn't do it for me at the time.
I guess the writers figured that that was enough (though it really wasn't). Basically, they had her backed into a corner by her BFF who wants to kill her and destroy the world, and when that doesn't happen, she has some kind of epiphany of appreciating life, and wanting to show Dawn the world (though they don't leave the state of California, let alone Sunnydale until it's a crater), and that alone would absolve her of everything else. And that didn't work for me then, or now.
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True, Buffy does go to great lengths to support and defend Spike, but again, she fails in not addressing her past actions.
- Zaphod Beeblebrox
Nah, it didn't do it for me, either. Although that's more because epiphanies don't tend to last long in the Buffyverse than the particular content. Also, I wasn't really expecting any kind of epiphany about Spike at that point. I figured we'd have to wait until he came back to deal with those issues. I disagree with some of the other stuff you said, but I've already had that conversation on another thread.
To me a redemption means Buffy verbally acknowledging her mistreatment of Spike and apologizing to Spike for that.
That's not the only definition of redemption. We don't, for example, see Spike apologizing for all the people he killed over the years. He doesn't really seem to regret it the way Angel does - he just accepts it as something that happened, something he can't change, and he resolves to be different from now on. That's where his redemption comes from - from doing good. And we definitely see Buffy do that - she accepts that she used Spike (both in "As You Were" and reaffirmed in "Never Leave Me," if that first one wasn't satisfying to you) and she changes the way she treats Spike, no more violence, no more sexual relationship, encouraging him and supporting him in being good, and defending him to others. Does Spike deserve an apology? Sure, but I'm not hinging my entire perception of Buffy on whether she says one specific phrase. Everything about their relationship is different, and they both can see that.
- Zaphod Beeblebrox
Keeping it on their relationship in general, and not their past faults overall, I do think that there should have been more from Buffy. In order to truly grow or whatever, you have to own up to your mistakes, and she just doesn't. The only reason Spike is there in "Never Leave Me," according to Buffy, is to understand the thing that's been playing them. I don't doubt that she wanted to help him, but the fact that she's still covering in front of her friends...it's a regression. She was better at standing up for herself and her decision making in late s5.
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I don't think she's covering so much as trying to convince them she's doing the right thing. She doesn't deny that she wants to help Spike: "I'm not keeping him around just to help him" (my emphasis) implies she is going to help him, but it's not the only reason. And to be perfectly honest, I don't blame the Scoobies for needing more than that. Spike has been out killing people, unhindered by the chip or the soul, and doesn't seem to have any control over it. I'd be pretty scared to live under the same roof with him if I were them. If Buffy just wanted to help Spike, she could take him away from the Scoobies and do whatever she needs to do to help him get better. But if she wants put all her friends in danger by keeping Spike around, then she owes them a little bit more of a reason why.
She was better at standing up for herself and her decision making in late s5.
Yeah... but that was season five, and a lot of things have happened since then. You're the first one to point out how many things Buffy did wrong in season six. After the year she's had, can you blame her or anyone else for not having confidence in her decision-making skills?
The only one who has to live under the same roof really is Dawn. And when she first accused Spike of killing people, she still thought it safe enough for him to stay under Xander's roof--her average Joe friend, and not with a Slayer and a powerful witch who could keep Spike in line if need be. Also, Buffy is the head of Buffy's house (or she should be), so where exactly is it she would be taking him away to? If she wants to help him, her house is pretty much it.
You're the first one to point out how many things Buffy did wrong in season six. After the year she's had, can you blame her or anyone else for not having confidence in her decision-making skills?
Oh, I can't take the credit for being the first, and I'm sure I won't be the last. And we weren't talking about season six Buffy--this is season seven "I had an awesome epiphany half a year ago" Buffy--the upgraded version. She's older and has adjusted to making her own decisions and running her house (or so she's portrayed), so yes, I feel comfortable pointing out her lack of confidence at that point.
ETA: Also, not one of her friends could take a moral high ground in the decision making department. Except for Xander. But he's never taken on a leadership position, so whatever was to be decided, he would eventually go along with it, even if he did bitch about it.
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It's actually kind of a nice change for Buffy to insist on not judging until she has proof, instead of just assuming Spike's doing something evil.
She did think he was killing people--after she tails him, and loses him, she kicks him out of the bed at Xander's. Spike does point out she has no proof, and that's when she said she'll get some proof. She spoke with conviction. And yet...she still leaves him with her vulnerable friend Xander. Very contradictory. She was right, sure, but she did tell him that she knew he was killing before she had concrete evidence.
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I don't know...she never really tried to stake Spike before (cept that one time when he was invulnerable), and she didn't intend to stake Angel when she thought he was killing people (but it was really that Pete guy, I think his name was). So I don't really think it's an improvement since I don't think the "old" Buffy (whichever one you prefer) would have staked him either. Old Buffy may have did the whole "get out of my town" thing, maybe. *shrug*
Also, I wouldn't have blamed Xander for not letting Spike live there in the first place, let alone after they suspected he was killing people (especially if he was totally unaware, which makes him more dangerous). I don't doubt that Dawn, and okay, Willow can't be concerned, but still, the ultimate decision is Buffy's. But at the same time, this is the same person who got kicked out of her own house by a bunch of people who weren't paying the bills there, so really, when I think about it, it makes sense.
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This "seeing through different eyes" left me very dissatisfied too - it seemed very weak after all the very dark season and all Buffy's serious problems - while Buffy and Dawn have had strong conflicts and big problems in their relationships - this epiphany does not connect much to, IMO, to the season. Buffy protecting Dawn and being her protector was not an especially strong part of season 6.
As much as Buffy-Dawn fighting and coming away from their would be grave did not connect with me, even more of a personal disappointment was how they chose to conclude the Dark Willow arc. DW being overcome by Xander and their childhood history and great friendship, while a wonderful "friends and XanMan moment," felt like a very weak ending to all that powerful hatred, anger and violence that consumed Willow. Plus, Willow wanting to end the world because of the suffering that humans experience through their emotions "better dead than in pain" felt like an "easy out" to advance the plot for destruction.
Michael Tomasello is co-director of the Max Planck Institute for Evolutionary Anthropology.

























































































