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JM on CapricaHere's a looky at JM on Caprica...featuresblogs.chicagotribune.com/entertainment_tv/2010/03/caprica-james-marsters-syfy.html
Uber creepy and scary....but still HOT!



Michael Tomasello is co-director of the Max Planck Institute for Evolutionary Anthropology.

Ahem. Back to the serious scholar that I am and not the goofy fan-girl.
So. Monks. Right. Damn. I completely lost my train of thought. *wanders back into the woodwork searching for the threads of her mind*
Michael Tomasello is co-director of the Max Planck Institute for Evolutionary Anthropology.


Nmcil, just had to say that I love your icon!

Here is a short history of the Biblical Barnabus -
http://bibletools.org/index.cfm/fuseaction/Topical.show/RTD/CGG/ID/1417/Barnabas.htm
Michael Tomasello is co-director of the Max Planck Institute for Evolutionary Anthropology.
And can I also say that I love Joseph's (Yusif?) brother? Bad-ass mafioso assassin who just happens to be in a same sex relationship. I love how there isn't a hint of puritanical beliefs in the 12 planets -- at least none that we've seen yet. However, I do wonder if that's what Barnabus is going to preach? Since the STO seem to be all about morality.
I love this show. It's very thought provoking.
And I hope it does well, and that the actors (and writers) all benefit from being connected to the show.

I sure hope that more people will start watching this excellent series - BSG and Caprica are my current TV replacement for all the Whedonverse - Hate that DollHouse was lost.
Barnabus is most definitely like the dark/negative aspect of any extreme religious/social mentality. What an interesting change for Tamara - she may be ended up being one the most interesting characters and the differences that come out between Tamara and Zoe. Sam Adama is turning out to be like Spike & Lafayette, a secondary character that is very popular and great screen presence. I like all the casting choices.
Michael Tomasello is co-director of the Max Planck Institute for Evolutionary Anthropology.
No one gives back to fandom with his colorful TV characters quite like James Marsters. The actor rose to geek infamy in the late 1990s playing the deliciously malevolent blond vampire Spike opposite Sarah Michelle Gellar on Buffy the Vampire Slayer, then hounded a young Clark Kent (Tom Welling) as the robotic Brainiac on Smallville before throwing down with John Barrowman in the BBC’s popular Torchwood. Marsters adds to the list starting tomorrow, when he begins the first of five episodes on Syfy’s Battlestar Galactica prequel series, Caprica. His Barnabas Greeley is a rogue member of the enigmatic religious zealots known as Soldiers of the One, who believe in a single supreme god. He comes into conflict with Clarice (played by Polly Walker), who heads the STO faction on Caprica. "She’s too much of a pacifist. She’s like Dr. Martin Luther King Jr., and I’m like Malcolm X," Marsters says. "He does not really agree with the way she’s doing it, and he’s starting his own faction with his own people." Marsters just came back from working on a new album in London and New Jersey to spend time with his two kids — son Sullivan, 13, and niece Brittany, 12 — and took time out to talk about Barnabas and his other screen personas. Read below for our conversation and check out a sneak peek of Friday’s episode of Caprica.
How much leverage did they give you to make Barnabas your own?
I feel like I climbed into a playpen with a bunch of energetic children who were just playing. I got down there and the word was I was going to be in a kilt, which I thought was fabulous. I was running around in kilts the first day. We took pictures of that, the pictures went upstairs and they said, "Nah. Not cool enough." They started throwing other stuff on me to the point where by the time we were filming, it was just like dark jeans, dark T-shirt and just a LOT of dirt. That worked great. And then a really cool jacket on top.
You’ve played some pretty famous characters over the years. Do you find that shades of any of them feed into Barnabas?
As Laurence Olivier said, an actor’s lucky if they have three characters in them and they’re just doing shades of that. I am hoping that there’s more than three. Maybe I have five. [Laughs]
Don’t you already have five by now?
[Laughs] I did do MacBeth before anyone knew about me, and that really helped me admit that I could be grossly evil if I was ambitious enough. Spike kind of furthered that, just to give in to being evil and just glory in it and realize that that is part of me. The robot on Smallville taught me how to manipulate the heck out of people and pretend that I care when I don’t. Doing Buzz Aldrin [in the TV movie Moonshot] and a cowboy for the Syfy movie High Plains Invaders last year helped me be steely, to cut myself off from all the emotions that swirl around the modern head and just be a fighter pilot or a cowboy — someone who does not cry. It all feeds into it. But as far as Barnabas, I feel like I’m maybe exploring a new place. He’s both intellectual but also really firmly rooted in his crotch and his stomach – he’s very visceral but he’s very intelligent at the same time. He’s very passionate about the cause he has. He lost a loved one to decadence, and he wants to help change the world. When was the last time I played a fanatic, someone who is so convinced they were right they were able to destroy things and still think they were good? I’m not sure I have.
Do you consider him a villain?
Hell no! You can’t. I’ve never thought [that] of any of the characters I’ve played who were making mistakes or hurting people. We’re all villains! It depends on if you’re hurting people or not on that day.
You’ve got a very fervent fan base, and you’ve kept feeding them cool characters over the years.
I’ve been very lucky. When a show needs a character that needs to pop, to really stir up the pot and change things a little bit, they tend to think of me. I keep getting handed these roles that are just designed for you to hit a home run, and they do everything they can to support you. Wow, if that’s my cross, I guess I’ll bear it.
When you were starting out as an actor, did you have that same reputation, in smaller theater groups or with people you worked with?
I never really thought about that. I tended to find a way to pop, whether that was supposed to happen or not. [Laughs] I never tried to steal the scene. I was always trying to serve the script, but yeah, I would get good attention and a lot of jealousy from other people. I discovered in fourth grade that I when I got in front of a group of people, we could have a lot of fun together.
You used to front the band Ghost of the Robot and now you’ve gone solo. Are you still doing a lot of music these days?
Yeah, I just did some scratch tracks for a new album with Charlie De Mars, the lead guitarist and songwriter for Ghost of the Robot. He and I have been playing with my son Sullivan, who
is monster good at lead guitar now. Just strangely good, like "Where did that come from?" He was really good in baseball, and I just sucked at baseball when I was young. He was a pitcher and I’m trying to catch really fast fastballs and just fearing for my life, because I’m not that good a catcher. So when he picked up guitar, I was like, "Right on! Now he’s in my home turf. Now I’m going to be the guy who shows him all the ropes." That lasted for about two weeks. I’m a rhythmic guitarist, and he just passed me like I was standing still.
Do your kids have a favorite James Marsters character?
No, none of them are interested in the slightest. In general, kids care about what happens after you come back from the office. They don’t care that much about the office itself. Sullivan was interested to see me play Buzz Aldrin and the cowboy, because they were both heroes. When I got Torchwood, I gave him a call and I said, "Dude! I’m playing this time agent, man! I’ve got two guns, a sword and a time wristwatch that lets me go back and forward in time at will. It’s so cool." And he goes, "Dad, do you win?" I’m like, "What?" And he goes, "At the end of the episode, do you win or do you get your butt kicked like always?" "Well, I’ve got to play the villain so yeah, I get my butt kicked." He’s like, "Alright. What else do you have to talk about?" He doesn’t want to see me do evil. He wants me to save people.
Michael Tomasello is co-director of the Max Planck Institute for Evolutionary Anthropology.
James mentions in the interview that when producers want a character who will just "pop", they call him in. He isn't being immodest at all because he is absolutely right. He does make his characters believable yet so much larger than life that they do indeed "pop". That is a perfect word for his presence--his characters "pop"! It must be hard for the regulars of any show because they know when James comes on, they'll fade into the background--although Capt. Jack and he were well matched in charisma, I'd say. But he blew everyone else on every other show out of the water!
And he isn't disturbed at all that his own son and niece aren't part of his fandom; if anything he sounds amused. He is so well-grounded. James hit a real truth about kids not caring about what mom or dad do at the office, just about who they are when they get home. But I know when they get older and see him in some of these roles, they will be in awe!!! (like the rest of us)
http://whosnews.usaweekend.com/2010/03/james-marsters-adds-pop-to-syfys-caprica-starting-friday/
Michael Tomasello is co-director of the Max Planck Institute for Evolutionary Anthropology.
Membership required for that section, but if you use your BSV name in whole or part, I'll activate you right away.
I was actually inspired to write a Spuffy drabble based on the Caprica episode. We never saw Barnabus in the sun!
I watched with a terrible headache, I'm afraid. All the jerky camera movement made it worse. Other than that, I really liked JM's performance. Anyone find his two little bits on You Tube yet?
http://www.flickr.com/photos/nmcil/4478987545/sizes/l/

Michael Tomasello is co-director of the Max Planck Institute for Evolutionary Anthropology.
I loved the lines (paraphrasing): "Welcome to the deep end, little one. It's always deeper than you think." and "You wanna be a terrorist? Let's see some terror." Why don't they ever make him a regular or a lead on a TV show?? He's got many fans that would love to watch him have his own series for a change instead of showing up for a few minutes.
But yeah, he always plays villians that are disposable, which sucks becuase he would make a great lead IMO. He's got both charisma and talent to pull it off. If Joss had done Spike TV show or even a film, I don't doubt it would have had many fans. It's too late to do it now though. It makes me frustrated to see him play in films like Dragonball, which doesn't showcase his talent to its fullest extent... plus, it sucked... I only watched the parts with James in them. After Spike, Barnabas is probably the role I like him the most in. Which roles did you guys like him in, besides Spike?I am upper management.
I did like him as Captain John on Torchwood, though- he was fairly Spike-like there. In fact, I've read somewhere that that role was tailor-made for him, as was the Smallville one. I think that might be why he seems so typecast.My only problem is that I have absolutely no desire whatsoever to watch this show...none. Unless it somehow converted into the Barnabus Show or something, which I don't think will happen.
<--wants to see James play a sociopath on Law & Order: SVU.
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You mind letting us know why you have no interest in Caprica - I love the series.
Michael Tomasello is co-director of the Max Planck Institute for Evolutionary Anthropology.
James is very good in it, but I can't help seeing shades of Spike in Barnabus... kind of a cross between Season 2 Spike and Crazy in the basement Spike. LOL
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Admittedly, I started to watch Caprica just because James was supposed to be in it, but then I started to like it. Sure I'm not crazy in love with all the characters and I don't really like Zoe, but I'm enjoying the plot and the premise of virtual world and the moral questions it raises... is it really alright to engage in murder when it's not 'real'? I also like the whole religion theme and the differences of belief of both Clarice and Barnabus... what makes him dangerous is that he's truly convinced he's doing the right thing and doesn't hesitate to use any means necessary to achieve what he wants.
While some people will say that teenagers are not really interested in the political and religious dynamics of a culture, the fact is that the young people who are interested and influenced by these powerful forces in human societies can be easily manipulated by adults that they see as role models. The young of any social order and the vessels for the preceding generation - the young of any society can either change that society, for good or bad.
Lacy and how she is played upon by all the external forces around her is a great example - she falls totally into the hands of the fanatic but the force that is moving her is primarily her great friend Zoe and the guilt and devotion that she feels for her. And Barnabas had indeed taken her to the ultimate depth - the choice of having to sacrifice her friends and loved ones and her morality, the very thing that STO is suppose to offer, in-order to save those whom she loves. Again, a great parallel to the Buffy-Faith-Angel/Angelus moral questions.
James Marsters, IMO, is doing a wonderful interpretation and performance with Barnabus - there is a big difference between his Spike and Barnabus. It could be the personal perspective of how the viewer accepts religions in their society - those viewers who sees it as one of the most destructive forces in human society will see Barnabus as the manifestation of a horrendous dark force of human nature and its awesome power over human societies. Barnabus is the opposite side of Maggie Walsh, the man of Faith creating the same level of horrors as her Man/Woman of the Secular - and both seeing their "truths" as justification for all the destruction they bring into the world.
I really like what the creators are doing with the Caprica world -
Michael Tomasello is co-director of the Max Planck Institute for Evolutionary Anthropology.
I am upper management.
Can't understand how that series has been on so many years and shows like Firefly never found a large enough audience, same thing seems to be happening with Caprica. I guess it's my long interest in how the religions function as such a powerful force in human social structures that connected with me straight away.
Michael Tomasello is co-director of the Max Planck Institute for Evolutionary Anthropology.
I started Caprica, but I haven't found it that engaging yet. I'll probably still watch through the JM episodes, though.No, coalitiongirl, I know a whole website of Clana haters. Of course they're Chloe/Lex shippers. LOL
James/Brainiac was in season 5 and season 7.
At least they played up the Lois-Clark UST well, and for five seasons, which really is a feat! I''m also glad about the Chloe/Oliver- though to me, it seems more like the fanfiction gods have heard our prayers
than anything too believable...but I guess I'll wait till tonight to make judgments. What I didn't like about JM in Smallville was how OLD he seemed...even though it came before Torchwood, in which he seems much younger- it breaks my heart.
Oh, but who could forget the vampire episode, featuring a vampire named Buffy and JM informing Clark that there's no such thing as vampires? Hee. 
Then again, I did watch Smallville for a time...but that was mostly for Rosenbaum, but now he's gone too.
<--still wishes Espenson would write a Spike screenplay, and get some producers to fund it and someone awesome to direct it.
<--is allowed to dream

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This is why I wish with all my heart that James Marsters could land a really good leading part in a series or film - as much as his Spike and James Marsters love him, he is now at an age that will make getting parts that link him with younger actors only emphasis his age. And his always getting the evil man characters is nothing but bad for his career. While it keeps him working, in the big picture, he desparately needs to show his great acting skills in other types of roles.
It would be great if he could get a part on an HBO series or film - but he really needs to have the opportunity to display his skills and to play something other than the Dark Evil Figure. I wonder why Joss Whedon, for all his praise of James Marsters' skill as an actor never used him again.
How come my "quote" feature no longer works?
Michael Tomasello is co-director of the Max Planck Institute for Evolutionary Anthropology.
'
I am upper management.
Michael Tomasello is co-director of the Max Planck Institute for Evolutionary Anthropology.
I am upper management.
And according to Wikipedia, many of those snarky villains he plays are roles made just for him, or roles where he was the first choice. He was typecast as the "Spike" long ago- but that's not necessarily a bad thing for him, IMHO.
Do you think he would have made a good Harry for Dresden Files?
Michael Tomasello is co-director of the Max Planck Institute for Evolutionary Anthropology.
Part of the Smallville appearance in season 7 was that Brainiac was sick, so you can't count that against James' looks. There were plenty of pretty shots of him in season 5. SV has excellent lighting and color, always have (helps that they're outside a lot). Tom Welling (Clark Kent) is actually 33 this month (same as SMG), and Justin Hartley is also just turned 33 (though he hasn't had any scenes with James), but Tom's a freak that isn't really aging, yet
. He was pretty good in Without a Trace. It's been awhile since I've seen the episodes he's in, but it was pretty good and he had a significant amount of screentime. Not gonna lie though, it took me half an episode to realize it was him- the lack of bleached hair threw me. It was pretty funny actually, out of nowhere I'm like 'Holy crap! That's SPIKE!'...my mom thought I was nuts since I pretty much yelled it outloud. lol
I am upper management.
Paul Blackthorne had the height, at least. But the real problem is that they didn't write Harry like Harry, and changed a lot, and book series fans HATE that. I liked the show a lot more until I got a chance to read all the books.......now it doesn't even compare.
A lot of people would like to see James play Marcone.
Plus you have to consider that the project for TV or Film are trying to appeal to the non-readers of said books. But without the time and money behind a novel to film, it usually will not work. Take the new Jane Austen film from BBC - mostly they were a big disappointment to the Jane Austen devotees and the major problem was that the films were done without the weeks long treatment that A&E did or the BBC earlier adaptations. The best of the new films was "Little Dorrit" but that film was around 7 1/2 hours.
The creative staff doing novels to TV or film have to get things just right or the audience will be disappointed - and especially so if the viewer loves a the book.
I also watched the show before reading the books - and I did enjoy it but I like the books more. Same for the Blood Ties series
Maybe I can find his episodes online -
Have any recommends for novels to film or TV they thought were effective?
Michael Tomasello is co-director of the Max Planck Institute for Evolutionary Anthropology.
I think he could very much pull off the lead of a show, and it doesn't have to be a lead who has a romantic interest. In fact, I think sometimes, that takes away from the story. For instance, I think the excellent show Psych should not make any of Sean's (or Gus' for that matter) romantic interest a focal point of any ep, because to me, it's a whole lot of nobody cares.
I would love to see James as the lead of an Alias type of show, and I think the only thing he'd need is an actor he can play well off of, like Rosenbaum or Boreanaz and have a compelling and funny friend relationship for the main character.
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(Nice to have you back, Scarlet.)
<-- <3'ed s5 Angel and Spike (more so than usual).
And thanks Caro

I'm trying my best to start making the rounds elsewhere. Next up is LJ...
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Michael Tomasello is co-director of the Max Planck Institute for Evolutionary Anthropology.
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And if you can, you should totally try to come to the Chicago Wonder Con, cause it's going to be awesome! And yes--I can predict the future now! Lol

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Greece - would that be for a certain lady's wedding? If so, I'm so jealous!
http://video.syfy.com/shows/caprica/promos_trailers_6/unvanquished--sneak-peek-2--caprica/v1251935
It looks like the second season is going to be outstanding - Visit the SyFy Home site tons of info on the new season and for those who missed season 1 , it looks like there will be a marathon for season 1 including the pilot before the new season - IMO, they should have run the marathon before, like this weekend, instead of all on one day.
CAPRICA is, IMHO, an outstanding series - If nothing else and you have no interest in the series, help support James Marsters by watching his JM featured vid with the link above. The DVD for season one is coming out October 5
Michael Tomasello is co-director of the Max Planck Institute for Evolutionary Anthropology.
You should be able to see this video on the SySy Home Site. If not, you can watch the episode,
Michael Tomasello is co-director of the Max Planck Institute for Evolutionary Anthropology.

I am upper management.
Think I was looking for his Barnabas role to be longer - but really, the series has 5 primary stories going, not really much room for another long arc with the STO power dynamics. Later on in the series more about the history and power struggles of the STO would add to the series.
Caprica has really good to make it with this season - or SyFy will probably not renew it. I hate to see it go down the way Firefly did.
Michael Tomasello is co-director of the Max Planck Institute for Evolutionary Anthropology.
“The remaining first run episodes of Caprica – airing Tuesdays at 10/9c – will be removed from the schedule as of next Tuesday, November 2,” said the network in a statement. “These final five episodes of the season will be re-scheduled to air at a to be announced time in the first quarter of 2011, and will conclude the run of the series.”
“We appreciate all the support that fans have shown for Caprica and are very proud of the producers, cast, writers and the rest of the amazing team that has been committed to this fine series,” said Mark Stern, EVP of Original Programming at Syfy. “Unfortunately, despite its obvious quality, Caprica has not been able to build the audience necessary to justify a second season.”
news from Ausiello at EW.com
Where did you see the photos? could you please post a link. I am so sad to see that this, IMO, outstanding series has been literally yank off the air. How the heck can a show like that 'ghost hunters" thing find a audience and Caprica could never get people to watch. Makes me really wonder about the large audience that BSG had - How can those viewers not have been interested in the story of how the Cylons and Humans developed into the story that BSG told.
I knew it would not make it beyond this season, but to just have them take it off like this, one lousy week's notice - least they could do is allow the remaining episodes to be purchased on itunes - or show them online. TV watching sucks - my shows are now down to 5
Michael Tomasello is co-director of the Max Planck Institute for Evolutionary Anthropology.
SyFy is working on a BSG prequel that's in the Cylon war, with a younger Adama, which will address that issue.
What I've read is that a lot of people didn't connect with Caprica's characters enough to want to watch a more intellectual show in the BSG universe. And then, there's SyFy's stupid model of splitting seasons in half by several months. Serial airing keeps people watching every week....they can rely on the show being there, and therefore remember it's on.






















































































